Motet mirabile mysterium, together with the other chromatic transitions, foreshadowed the breakup of modality.
His well-graced and unique "word painting" in the style of the madrigal
Rich, polyphonic, eight-voice Pater noster in famous Venetian polychoral manner of "corri spezzati"
Or just simply simple Ecce quomodo moritur iustus, later used by George Frideric Handel in his funeral anthem The Ways of Zion Do Mourn.
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